Trivandrum has a vibrant and eclectic cultural scene. This is an attempt to showcase through photographs some of the events to give a flavour to the common man - not the cognoscenti. I will also post some curious views of Trivandrum which may even be a 'culture shock'! You will find that recently, I have been adding some snippets from the city not necessarily related to culture but give a holistic view of the life in this city.
Picuous
Showing posts with label heritage. Show all posts
Showing posts with label heritage. Show all posts
Aug 18, 2014
Krishnavataram Nangiarkoothu
Margi Usha performing Krishnavataram Nangiarkoothu at Margi, Trivandrum.. Edakka and Mizhavu can be seen the background.
Aug 21, 2013
Koodiyattam, A two thousand year old art form
Maya Seethankam by Shaktibhadra.
Koodiyattam, a 2000 year old dance form being performed in Thiruvananthapuram under the aegis of Drisyavedi. UNESCO has declared Kutiyaam as one among the "Masterpieces of the Oral and Intangible Heritage of Humanity". The male actors are from the Chakyar community and the female parts are played by Nangiars. Accompaniments are Mizhavu and edakka played by Nambiar men and kuzhitalam by Nangiars ![]() |
| Edakka and Mizhavu |
| Kuzhithalam |
Jul 27, 2013
Sree chitra home
The sree home has a new metal roof. Somehow I liked the tiles. The metal roof is funtional but garish.
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| Taken with my phone camera from a nearby theatre |
Nov 11, 2012
Dec 4, 2011
9th Century Cave Temple at Madavoor, near Sreekaryam
Madavoor para houses an ancient Shiva temple of 9th Century C.E. Now it is under the care of the State Archaelogical department. It is on Pothencode - Sreekaryam road. I took the Pothencode road from Vettu road junction on NH 47 at Kazhakootam (near the Sainik School). A sharp right turn at Kattayikonam takes you to the Sreekaryam road. (Incidentally, this is also a good road to take if you want to avoid the traffic snarl between Vettu road and Kazhakuttam on NH). Madavoor para is within a couple of Kms. on this road on the left. There is a hand painted wooden board in Malayalam. A newly laid road takes you to the bottom of the rock temple.There are well laid steps to the rock. (could be slippery in monsoon). The last few steps on the rock could be a challenge for senior citizens.
Pooja timings are from 6am to 10 pm and from 5-15pm to 6-30 pm . It was closed when we visited . So could not see the lingam and the inside carivngs of Ganapati and Subrahmanya. However the surrounding areas, including the nearby rubber plantations were soothing sights.Since it is not far from Technopark, it is well worth a visit if you can spare about an hour.
Labels:
archaeology,
cave,
cave temple,
heritage,
India,
Kerala,
shiva,
Sreekaryam,
Technopark,
temple
Jan 26, 2011
May 22, 2010
Friend in Need Society
'Friend in Need Society' building in May 2008 (above) and now (below)
The building of the Friend in Need Society at Pattoor had caught my attention ever since I came to Trivandrum for it quaintness and apparent antiquity. So I was really concerned to see the building on the verge of demolition for widening the road. The picture on the top was taken in May 2008. Somehow, due to bureaucratic red tape or due to resistance for acquisition from a nearby church, the building survived for two years more. The picture below shows the condition of the building today. Will it be there tomorrow?
Now that the building is almost part of history, does anyone know what the 'Friend in Need Society' was and how old was it? I searched the web, but could not get any lead. If anyone has some information, I would like to know.
Nov 28, 2009
Saura paintings from Koraput, Odissa
Today, my quest for cultural knowledge led me to the Orissa Crafts fair at the iconic VJT Hall, Palayam. The above picture is of a 'Saura' Tribal painting from Koraput District, Odissa. I learn that the Suaras are one of the oldest tribes in the sub-continent. They have been mentioned even in the Ramayana and Mahabharata. Their paintings invariably have some religious significance. The above painting is on tussore silk and was being offered for Rs 7000.
Most artisans or traders who come to sell such handicraft items are not good salesmen. If they can give the background, history, ethnicity, intricacy, exclusivity and significance of these works, I am sure there will be more takers. It can also give the buyer a 'story' to share with her friends and create word-of-mouth publicity. If the artisans themselves are not good communicators, they can be aided by brief leaflets or presentations. Small versions of these can also be inserted into the packaging for the buyer to take home. A certificate of authenticity by any credible (sounding) body can also enhance the value.
| Applique works from Puri Dt. |
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